Composing Audiovisually: Perspectives on audiovisual practices and relationships

The book Composing Audiovisually explores the relationship between audiovisual media and our experience of them, offering close readings, conversations with artists, and a conceptual framework to understand contemporary audiovisual experience.

Format: Paperback / softback
Length: 228 pages
Publication date: 21 July 2021
Publisher: Taylor & Francis Ltd

Composing Audiovisually explores the intricate interplay between audiovisual media in various artistic works, including Barton Fink, Synchromy, audiovisual sculpture, and contemporary music videos. By delving into the close analysis of these audiovisual artifacts, engaging in conversations with artists, and considering contemporary pedagogical approaches, the book aims to bridge gaps in our understanding of audiovisual modes and provide valuable insights for future transdisciplinary thinking in this field.

The central thesis of Composing Audiovisually is that the relationship between audiovisual media and our interaction with them holds the key to developing mechanisms for discussing and comprehending our experience of audiovisual media across a diverse range of modes. The book employs a comprehensive conceptual and theoretical framework that considers the nature of contemporary audiovisual experience, encompassing close readings of audiovisual artefacts, discussions with artists, and an examination of contemporary pedagogy.

In the first chapter, the book provides a comprehensive overview of the historical development of audiovisual media, tracing its roots from early experimental films to contemporary digital technologies. It explores the ways in which audiovisual media has evolved to become a powerful tool for artistic expression, communication, and cultural critique. The chapter also highlights the challenges and opportunities that arise from the fusion of different media forms, such as the blurring of boundaries between cinema, television, and the internet.

The second chapter focuses on the close analysis of Barton Fink, a critically acclaimed film by the Coen Brothers. Through a detailed examination of the film's visual and auditory elements, the chapter explores the ways in which the film employs audiovisual techniques to create a sense of psychological tension and ambiguity. It also examines the film's use of sound design, lighting, and editing to convey meaning and emotion, and the ways in which these elements contribute to the film's overall narrative structure.

In the third chapter, the book examines the work of Norman McLaren, a pioneering filmmaker known for his innovative use of audiovisual techniques. It explores McLaren's use of abstract animation, sound design, and interactive technologies to create immersive and sensory experiences for the viewer. The chapter also considers the ways in which McLaren's work influenced the development of contemporary audiovisual art and technology.

The fourth chapter explores the relationship between audiovisual sculpture and contemporary art practices. It examines the ways in which artists are using audiovisual media to create immersive and interactive installations that blur the boundaries between the physical and digital realms. The chapter also considers the ways in which audiovisual sculpture can be used as a tool for cultural critique and social commentary.

The fifth chapter focuses on the role of contemporary music videos in shaping our understanding of audiovisual media. It examines the ways in which music videos use visual and auditory elements to convey meaning and emotion, and the ways in which they contribute to the cultural and musical landscape. The chapter also considers the ways in which music videos can be used as a platform for artistic expression and social activism.

Throughout the book, the authors draw on a range of theoretical frameworks, including film theory, media studies, and aesthetics, to provide a comprehensive and interdisciplinary understanding of audiovisual media. They also incorporate insights from artists and practitioners working in the field to provide a practical and applied perspective on the subject matter.

In conclusion, Composing Audiovisually is a groundbreaking work that offers a fresh and innovative approach to understanding audiovisual media. By exploring the intricate interplay between audiovisual media and our interaction with them, the book provides valuable insights for artists, scholars, and practitioners working in the field. It serves as a catalyst for future transdisciplinary thinking in audiovisual media and offers a roadmap for developing new modes of artistic expression and communication.

Weight: 354g
Dimension: 155 x 234 x 20 (mm)
ISBN-13: 9780367346911