Screening the Crisis: US Cinema and Social Change in the Wake of the 2008 Crash

The financial collapse of 2008 has transformed how we think about social life, and film studies scholars have begun to integrate intellectual and political work to address this. Screening the Crisis reconsiders the relationships between cinema and society at a time when neoliberal policies threaten civic culture and human life. The book explores how new tendencies in US cinema enhance awareness of economic inequality, gender roles, racial conflicts, immigration, surveillance practices, the environmental crisis, the politics of housing, and nationhood through in-depth studies and contextualized analyses of recent films, genres, and filmmakers.

Format: Paperback / softback
Length: 344 pages
Publication date: 22 February 2024
Publisher: Bloomsbury Publishing Plc

The financial collapse of 2008 marked a pivotal moment in history, extending and deepening a protracted crisis that had profound implications for all aspects of social life. In the face of these turbulent times, film studies scholars have taken up the challenge of reimagining their field to address the pressing issues of our time. This timely volume, Screening the Crisis, brings together a diverse group of established and emerging scholars to explore the complex relationships between cinema and society.

The book examines how new tendencies in US cinema are raising awareness about the multifaceted challenges facing contemporary society. The issues covered include economic inequality, shifts in gender roles, racial conflicts, immigration, surveillance practices, the environmental crisis, the politics of housing, and the fragility of nationhood. Through in-depth studies and contextualized analyses of a wide range of recent films, genres, and filmmakers, the book offers a comprehensive exploration of these critical topics.

One of the key themes of Screening the Crisis is the role of cinema in shaping public discourse and mobilizing social change. The authors argue that films have the power to challenge dominant narratives, expose injustices, and inspire empathy and action. By examining the ways in which films address these complex issues, the book provides valuable insights into the ways in which cinema can be used as a tool for social transformation.

Another important aspect of the book is its commitment to interdisciplinary scholarship. The authors draw on a range of theoretical frameworks, including film theory, cultural studies, sociology, and political science, to analyze the relationships between cinema and society. This approach allows for a more comprehensive understanding of the complex dynamics at play and enables scholars to engage with a wider range of perspectives and methodologies.

The volume also includes a number of case studies that provide concrete examples of how films have responded to the various crises facing society. These case studies range from documentaries that shed light on social movements and political campaigns to feature films that explore the personal experiences of individuals and communities affected by these crises. By providing a rich tapestry of examples, the book demonstrates the diversity and richness of the ways in which cinema can be used to address social issues.

In conclusion, Screening the Crisis is a timely and essential contribution to the field of film studies. By exploring the complex relationships between cinema and society, the book offers valuable insights into the ways in which films can be used as a tool for social transformation and awareness-raising. It provides a rich resource for scholars, students, and activists alike, and serves as a reminder of the power of cinema to shape our understanding of the world and inspire us to take action.

Dimension: 229 x 152 (mm)
ISBN-13: 9781501388163